Roby Dwi Antono pulls from hazy recollections of his childhood in Indonesia to inform uncanny, surrealist scenes.
KIRA typifies the artist’s distinct character codes — an uncanny Renaissance-meets-Superflat figure with dark, glassy eyes. The edition of 50 sees a 21 layer screenprint on 410gsm Radiant White Somerset paper sealed with matte varnish and finished with a layer of long-glow phosphorescent embellishment, illuminating the work when viewed in the dark.
