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1st Edition

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Artists
Sperry, Chuck More info
Edition Details
Year:2011
Class:Original Art
Status:Official
Run:1
Technique:Original Mixed Media
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11 ft x 9 ft acrylic paint­ing called “Saint Every­one”. Installed at the SFMOMA’s Artists Gallery Win­dows on Minna Street. The paint­ing will be on view from June 2011 through Jan­u­ary 2012.

"My large scale paint­ing, “Saint Every­one” is fig­u­ra­tive, a post­mod­ern pas­tiche of Pop, Op and Rock Art. Its theme is inspired from the very recent spon­ta­neous pop­u­lar move­ments which have swept the world since Jan­u­ary 2011. My iconic fig­ure holds a lotus, it’s unfold­ing petals sug­gest the expan­sion of the soul. The growth of its pure beauty springs from the fer­tile mud of its ori­gin and grows into a benign spir­i­tual promise. The fig­ure is a loose appro­pri­a­tion and is re-imagined by the artist from a rock poster cre­ated by The Big Five (Mouse, Wil­son, Grif­fin, Kel­ley, and Moscoso) for the 20th anniver­sary of the Sum­mer of Love in 1987. The Sum­mer of Love in 1967 is the San Fran­cisco ana­log of the change that is sweep­ing the world in 2011. This image was orig­i­nally used on a poster I designed and printed for “Amer­i­can Arti­fact, The Rise of Amer­i­can Rock Art,” directed by Merle Becker. Appliqué disks employ ele­ments of Op Art, inspired as they are from the work of Mar­tin Sharpe, the British psy­che­delic artist. They are pro­duced via silkscreen and applied – like a poster would on the street – in rhyth­mic pat­t­erniza­tion. The disks sug­gest decen­tral­iza­tion or cell struc­ture. I wanted to com­bine acrylic paint­ing and silkscreen tech­niques in a seam­less com­po­si­tion, and “Saint Every­one” is the result."
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