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− | Kathie Olivas is a multi-media artist who resides in Tampa, FL. Her work has been featured in numerous solo and group exhibitions across the nation. | + | Kathie Olivas is a multi-media artist who resides in Tampa, FL. Her work has been featured in numerous solo and group exhibitions across the nation and in numerous galleries across the globe. Some of her work can be found in the permanent collection at the Tampa Museum of Art. She received her bachelor's degree in visual arts from the University of South Florida. Inspired by early American portraiture that often depicted children as small adults in an idealized new land, her work focused on idealized characters that parallel this vision within their own sense of post-apocalyptic conformity, uniquely documenting their own stories in a mysterious brave new world. . |
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| "My current body of work, entitled the "Misery Children" series focuses on the constant social desire to assign "cuteness." This often serves as a means to make something innocent and more appealing, therefore, non-threatening. Perhaps this allows us to comfort ourselves. My questions are based on the discomfort of "what if"-- what if these sweet creatures had other ideas? What if they knew something we were afraid to open our eyes to? Would they protect themselves; would they be able to adapt to a war torn environment and develop their own defense mechanisms? The characters are meant to evoke a nostalgic reaction that reflects isolation, fear, and an uncertainty; yet, at the same time they serve as empowered alter egos. This series is presented as a satirical look at how fear affects our sense of reality. The characters perform as narrators in lonely worlds that each explores individually, creating his or her own perspective, and thus, own reality. As our hosts, the ensemble provides a sense of comfort, the reminiscent style is soothing, yet the mood is dark. As children, they evoke a sense of temporality; childhood serves as a starting ground, a place where things begin." | | "My current body of work, entitled the "Misery Children" series focuses on the constant social desire to assign "cuteness." This often serves as a means to make something innocent and more appealing, therefore, non-threatening. Perhaps this allows us to comfort ourselves. My questions are based on the discomfort of "what if"-- what if these sweet creatures had other ideas? What if they knew something we were afraid to open our eyes to? Would they protect themselves; would they be able to adapt to a war torn environment and develop their own defense mechanisms? The characters are meant to evoke a nostalgic reaction that reflects isolation, fear, and an uncertainty; yet, at the same time they serve as empowered alter egos. This series is presented as a satirical look at how fear affects our sense of reality. The characters perform as narrators in lonely worlds that each explores individually, creating his or her own perspective, and thus, own reality. As our hosts, the ensemble provides a sense of comfort, the reminiscent style is soothing, yet the mood is dark. As children, they evoke a sense of temporality; childhood serves as a starting ground, a place where things begin." |
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− | Inspired by early American portraiture that often depicted children as small adults in an idealized new land, the characters parallel this vision within their own sense of post-apocalyptic conformity, uniquely documenting their own stories in a mysterious brave new world.
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| == Contact == | | == Contact == |
Latest revision as of 04:09, 19 October 2008
About
- Olivas, Kathie
-
Kathie Olivas is a multi-media artist who resides in Tampa, FL. Her work has been featured in numerous solo and group exhibitions across the nation and in numerous galleries across the globe. Some of her work can be found in the permanent collection at the Tampa Museum of Art. She received her bachelor's degree in visual arts from the University of South Florida. Inspired by early American portraiture that often depicted children as small adults in an idealized new land, her work focused on idealized characters that parallel this vision within their own sense of post-apocalyptic conformity, uniquely documenting their own stories in a mysterious brave new world. .
"My current body of work, entitled the "Misery Children" series focuses on the constant social desire to assign "cuteness." This often serves as a means to make something innocent and more appealing, therefore, non-threatening. Perhaps this allows us to comfort ourselves. My questions are based on the discomfort of "what if"-- what if these sweet creatures had other ideas? What if they knew something we were afraid to open our eyes to? Would they protect themselves; would they be able to adapt to a war torn environment and develop their own defense mechanisms? The characters are meant to evoke a nostalgic reaction that reflects isolation, fear, and an uncertainty; yet, at the same time they serve as empowered alter egos. This series is presented as a satirical look at how fear affects our sense of reality. The characters perform as narrators in lonely worlds that each explores individually, creating his or her own perspective, and thus, own reality. As our hosts, the ensemble provides a sense of comfort, the reminiscent style is soothing, yet the mood is dark. As children, they evoke a sense of temporality; childhood serves as a starting ground, a place where things begin."
Contact
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