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| | The Beggarstaffs were Sir William Nicholson, (English, 1872-1949) & James Pryde, (Scottish, 1866-1941) | | The Beggarstaffs were Sir William Nicholson, (English, 1872-1949) & James Pryde, (Scottish, 1866-1941) |
| | Under the pseudonym, the two artists virtually created the modern poster, with clear outlines and large areas of flat color. Perhaps the most influential graphic designers of all time. | | Under the pseudonym, the two artists virtually created the modern poster, with clear outlines and large areas of flat color. Perhaps the most influential graphic designers of all time. |
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| | + | ;Beggarstaff Origins |
| | + | Pryde and Nicholson decided they would sign their Hamlet poster with a pseudonym. It is possible that they did not want their excursion into commercial art to prejudice their careers as painters in any way, but there is no concrete evidence that they wished to conceal their real identities, and they seem simply to have regarded a single pseudonym as a conveniently brief alternative to their own two names, and an appropriate symbol of the idea that their work was the product of equal endeavor. When the anonymous reporter from The Idler asked the artists a year or two later how they came to choose the soubriquet 'Beggarstaff', Nicholson explained that 'Pryde and I came across it one day in an old stable, on a sack of fodder. It is a good, hearty, old English name, and it appealed to us; so we adopted it immediately'. Pryde's later version of how the name was discovered varies slightly from Nicholson's (Pryde believed that it was he alone who had discovered the name and suggested its use), but his account is substantially the same. Initially Pryde and Nicholson signed themselves 'J & W. Beggarstaff', and in due course this led a number of their admirers to refer to them as 'the Beggarstaff brothers'. However, the artists themselves, although brothers-in-law, hardly ever employed this description, and Nicholson in particular protested against the use of the word brothers. |
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| | == Contact == | | == Contact == |
Latest revision as of 10:06, 15 June 2007
About
- Beggarstaff
The Beggarstaffs were Sir William Nicholson, (English, 1872-1949) & James Pryde, (Scottish, 1866-1941)
Under the pseudonym, the two artists virtually created the modern poster, with clear outlines and large areas of flat color. Perhaps the most influential graphic designers of all time.
- Beggarstaff Origins
Pryde and Nicholson decided they would sign their Hamlet poster with a pseudonym. It is possible that they did not want their excursion into commercial art to prejudice their careers as painters in any way, but there is no concrete evidence that they wished to conceal their real identities, and they seem simply to have regarded a single pseudonym as a conveniently brief alternative to their own two names, and an appropriate symbol of the idea that their work was the product of equal endeavor. When the anonymous reporter from The Idler asked the artists a year or two later how they came to choose the soubriquet 'Beggarstaff', Nicholson explained that 'Pryde and I came across it one day in an old stable, on a sack of fodder. It is a good, hearty, old English name, and it appealed to us; so we adopted it immediately'. Pryde's later version of how the name was discovered varies slightly from Nicholson's (Pryde believed that it was he alone who had discovered the name and suggested its use), but his account is substantially the same. Initially Pryde and Nicholson signed themselves 'J & W. Beggarstaff', and in due course this led a number of their admirers to refer to them as 'the Beggarstaff brothers'. However, the artists themselves, although brothers-in-law, hardly ever employed this description, and Nicholson in particular protested against the use of the word brothers.
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