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| | A major artist of the French Art Nouveau era, Theophile Alexandre Steinlen came to Paris from his native Switzerland at the age of twenty. His previous training consisted of classes at the Art School of Lausanne and employment as a textile designer in Mulhouse. In Paris, Steinlen quickly established himself as a leading illustrator of popular journals such as Le Rire. He also contributed a large amount of drawings and lithographs to the radical press publications, Pere Peinard, Les Temps Nouveaux and La Chambard. In order to avoid political repercussions for some of his art dealing with strong social content he often-employed pseudonyms such as, 'Treelan' and 'Pierre'. | | A major artist of the French Art Nouveau era, Theophile Alexandre Steinlen came to Paris from his native Switzerland at the age of twenty. His previous training consisted of classes at the Art School of Lausanne and employment as a textile designer in Mulhouse. In Paris, Steinlen quickly established himself as a leading illustrator of popular journals such as Le Rire. He also contributed a large amount of drawings and lithographs to the radical press publications, Pere Peinard, Les Temps Nouveaux and La Chambard. In order to avoid political repercussions for some of his art dealing with strong social content he often-employed pseudonyms such as, 'Treelan' and 'Pierre'. |
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Latest revision as of 17:29, 12 June 2007
About
- Steinlen, Theophile-Alexandre (1859-1923)
A major artist of the French Art Nouveau era, Theophile Alexandre Steinlen came to Paris from his native Switzerland at the age of twenty. His previous training consisted of classes at the Art School of Lausanne and employment as a textile designer in Mulhouse. In Paris, Steinlen quickly established himself as a leading illustrator of popular journals such as Le Rire. He also contributed a large amount of drawings and lithographs to the radical press publications, Pere Peinard, Les Temps Nouveaux and La Chambard. In order to avoid political repercussions for some of his art dealing with strong social content he often-employed pseudonyms such as, 'Treelan' and 'Pierre'.
In the 1890's Steinlen's wonderful use of line and design led to some of the most famous posters of the Art Nouveau movement. These include, Tournee du Chat Noir (1896), La Rue (1896) and Lait pur Sterilise (1894). Yet the majority of his art continued to explore the life and events of Paris. Known as “the Millet of the Streets”, Steinlen's influence was vast. Among other artists both Toulouse-Lautrec and the young Picasso paid direct homage to his art.
In total, Steinlen created 382 original lithographs and 115 etchings.
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